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When you’re playing Coco Loco, [$0.99] it’s important to remember that you’re rescuing your marshmallow brethren from chocolate guardians. You’re absolutely not rescuing your eggs from pigs. Sure, if it looks like a duck, swims like a duck and quacks like a duck, it’s probably Angry Birds, but Twiitch deserves credit: this particular physics puzzler with slingshot mechanics is actually pretty great.

Some of Coco Loco’s levels could be pulled straight out of similar games—let’s just say there isn’t much difference between an egg-shaped mallow and an egg-shaped bird. But those structural similarities surround cunning levels designed for more than brute-force thinking. The formula takes another sharp turn with terribly entertaining liquid dynamics. It plays like a brand new game, even if it doesn’t look much like one.

Stop me if you’ve heard this one before: the Marshies were enjoying a simple dip in the hot chocolate springs when the cocoa guardians took them prisoner. Now it’s up to you to get revenge, rescue your pals, and free them from their, err, celebrity-costumed captivity. That sort of quirkiness gives Coco Loco a fresh angle to build on, and it extends through every bit of the game’s visual design.

From there it’s a matter of differentiating itself through gameplay. The liquids make up a big part of that: the Marshies can be freed by being swept up in cocoa, and the chocolate guardians can be melted away similarly. Many levels will see you redirecting cocoa, breaking through dams and barriers and generally splashing around.

Lest I give the impression this is just a damp Angry Birds (probably an obvious mashup in this post-Where’s My Water world), I should emphasize that the level design in Coco Loco is very, very good. Rarely are you left to smash down a structure with however many projectiles you feel like using. Instead, you’re often given exactly what you’ll need to solve a puzzle, one with moving parts, flowing liquid and tight corridors to aim your way through.

The tools you’re given are a good mix of familiar and new. You’ve got your standard Marshie, the one that knocks over the things it hits. Another one explodes on your command. But there’s also one that expands into a gelatinous wall on demand, and another that shoots cocoa out of a cannon, amongst others. Combined, they can pull of some excellent tricks.

You have to be creative when using them, as much as you need to be precise. Most of Coco Loco’s 75 levels are set up for specific solutions: toss this dude at that spot to clear the way for the next guy to knock over the cocoa just so, and the whole thing comes together. Or take each of your Marshies and land them in just the right places all over the screen. You’ll need to use your brain more often than you will your pixel-hunting skills.

I just wish the same creativity that’s been brought to bear on the level design had bumped into the rest of the game at some point. We have the three star rating system, “Fluffy,” the IAP that finishes any level for you, extra points for having Marshies left over, and that’s just scratching the surface. Coco Loco is strong enough to stand on its own, and hanging a lantern on its similarities to Angry Birds does it no favors.

Just don’t let that stop you from checking it out. Coco Loco isn’t a strikingly original game, even without the checklist of familiar interface elements, but it is one of the most thoroughly solid and entertaining physics puzzle games I’ve played in some time. Taken in a vacuum, it could have blown me away. In the context of the rest of the App Store, it’s still a heck of a lot of fun. Don’t just give it a look, give it a play and you might be impressed.

TouchArcade Rating:

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I’ve made no attempt at hiding my love affair with the Azkend series of puzzle games. The original Azkend [$2.99 / $4.99 (HD)] was (and still is) one of my favorite puzzle games of all time. It had a great difficulty curve, a constant stream of unlockables to keep you interested, and did a fabulous job at dangling the next unlockable in front of you to endlessly keep you playing one more game. Oh, and the chain-forming matching mechanic is pretty sweet too. Not too long ago, Azkend 2 [$2.99 / $3.99 ] hit, and I was ready to shout out my window and tell the world how incredible it was… That is, until I got a little deeper into the game.

As Nissa explains in our review, the sequel features everything we loved about the original Azkend, and provides some great first impressions. Then the difficulty curve ramps up, and the game introduces more types of tiles. It’s at this point that Azkend 2 turns into the best part of any LMFAO song, which, in a puzzle game, is not a good thing. In other words, you’d reach a point where there were just too many types of tiles, leaving no available matches, forcing the game to re-shuffle the tiles. Sometimes you’d even get multiple re-shuffles in a row.

Well, an update hit earlier today which seems to totally fix this. The puzzles are now rebalanced in a way that you’re not hunting for the single match before the board reshuffles. If you were (understandably) holding off on the game after reading our review, it’s safe to pick up now. Or, if you were like me, and just shelved the game after getting frustrated, snag the update and give it another shot.

They’ve made some other tweaks and bug fixes too, including doing some logging to potentially further improve game balancing as well as adjusting the colors of some tiles to make them more distinct. The one down side of this update is that I’m pretty sure that Azkend 2 is now going to completely suck up my free time this evening.

I’m OK with that, I think.

NOTE: Right now I’m only seeing this update for the universal HD version, but it’d make sense that the iPhone-only version should be following very shortly.

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There are some games that try to impress by offering a well-rounded gameplay experience. Others meanwhile try to latch onto one or two key elements and hope that it’s enough to make up for other potential shortfalls. Violet Storm [$0.99 / HD] squarely falls into the second camp. While the dual-stick shooter impresses somewhat with its take on weapons and visual overstimulation, it may not be enough to overcome the otherwise generic gameplay and presentation.

As a dual-stick shooter, Violet Storm plays it safe with its gameplay offerings. Players have a choice of three different single-player modes: Sniper Mode, which is a timed run scored by accuracy, Speed Havoc, which challenges gamers to destroy a set amount of enemies as fast as possible, and Campaign.

Campaign is the most complete mode and pits you against a never-ending onslaught of enemies separated by timed waves. Survive a wave and you’re given a break (as well as a score bonus) before bigger and more difficult enemies come at you. There isn’t an artificial barrier around the playing field (like Geometry Wars, for example) so players are free to move in any direction for as long as possible. However, enemies will continually spawn near you and blindly running in one direction is a sure-fire way to get cornered and lose health.

As you battle enemy ships, you are rewarded with an occasional power-up (invincibility, damage boost, bombs) as well as weapon upgrades. The weapon upgrades are one area Violet Storm attempts to differentiate itself from other shooters. Weapons are relatively simple at the onset, but quickly build up to ridiculous multi-tracking lasers of various spreads and homing missiles (all being shot simultaneously no less). Last longer, and you even get to play with lighting. While Violet Storm obviously isn’t the first game to pioneer ridiculous weapons, I was impressed with the showcase nonetheless.

Keep in mind all these weapons lead to a dazzling display of visual elements and intensity, which is another area Violet Storm looks to improve upon. It really is a sight to behold when you combine lasers and missiles, along with the large influx of simultaneous weapons and their projectiles on the screen at the same time. In fact, the visuals may be a little too intense, as later levels definitely border on ‘bullet-hell’ extremes (without the precision, unfortunately). Disappointingly, Violet Storm occasionally doesn’t handle all the graphics well, as I encountered some slow-down across all current generation devices during the more hectic scenes.

Notice I didn’t say the game differentiates itself via graphical style; Violet Storm looks very much like a Geometry Wars clone in most ways besides the sheer amount of graphical elements and the weapons. Granted, the game still looks great on most iOS devices, including the new iPad. Oddly enough, while Violet Storm is a universal app, gamers looking for iPad retina assets will need to pick up Violet Storms HD, which is an iPad only app.

Once you get past the weapons and visuals, Violet Storm falters somewhat. The music becomes repetitive rather quickly and ends up detracting. Also, while Sniper Mode and Speed Havoc are nice twists on the standard gameplay, there’s little in terms of actual variety, (save for three difficulty levels) to keep you coming back. The game experience just feels as if it was designed simply to showcase the crazy visuals.

I wouldn’t go so far as to call Violet Storm a one-trick pony, but in terms of bringing things to the genre it’s pretty close. The over-the-top weapons and graphical effects look great, but even those aren’t implemented perfectly. Regardless, outside of those features you’re still left with a competent arcade dual-stick shooter. However, considering the wealth of choices already on the app store, anyone other than fans of the genre may end up deciding to pass on this one.

TouchArcade Rating:

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Late last year Wild Chords [ Free (HD)] knocked my socks off. In a nutshell, it’s an edu-tainment game that utilizes the microphone on the iPad to pick up the chords being played on a guitar. It works great, too. I was more than a little surprised that in a few hours of playing the game I went from never having touched a guitar before to actually being able to play a few (admittedly very basic) tunes.

Piano Dust Buster [ Free (HD)] seems to accomplish the same thing, with two significant differences: Obviously, per the name, the focus is on the piano instead of the guitar. Additionally, the game features a virtual keyboard of sorts, so unlike Wild Chords where you need a guitar to play, you don’t really need a piano to jump into Piano Dust Buster.

I think these music-centric edu-tainment games are seriously just fantastic, and really wish they would’ve been around when I was a kid. I couldn’t even guess how much money my poor parents dumped into sending me to piano lessons when all I wanted to do was slam my head (and heinously under leveled party) against Gurgu Volcano in Final Fantasy. Had there been some piano gamification to be found in the 80’s, well, I could be a world famous concert pianist right now.

Piano Dust Buster is free, and I’m really curious to hear back from anyone out there with young kids and a piano to see how they take to the game.

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If you’ve been a PC gamer for the past dozen years or so, and you’re into military-themed strategy games, chances are pretty good you’re familiar with the Combat Mission series. Known for its attention to detail and realism, the Combat Mission series has spanned several titles since the first release in 1999 and has allowed gamers to reenact both real and fictitious battles from throughout history.

Yesterday, series developer Battlefront.com teased an iPad version of Combat Mission on their website. Given the date of the announcement, we were taking the news with an incredibly enormous grain of salt. However, despite the looming possibility of an April Fool’s joke, it turns out that Combat Mission: Touch [$4.99] is a real, actual game, and it’s available in the App Store as we speak.

One of the hallmarks of Combat Mission is the way it handles its turn-based gameplay. It employs the “Wego” system, which basically means that both sides in a battle set up all of their moves at the same time during a planning phase, and then they both sit back and watch as everything plays out during an actual combat phase. This makes for a great 2-player experience, and Combat Mission: Touch boasts online multiplayer as well as the ability to battle solo against an AI.

We’ll have to sit down and spend some quality time with Combat Mission: Touch to see how the iOS version turned out, but if you’re a fan of the series then you’ve probably already dropped the $4.99 to check it out for yourself. Just keep in mind, it’s only compatible with the iPad 2 and the newest iPad if you’re considering picking it up.

[Thanks Christopher!]

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It’s hard to believe that it’s been more than a year since Epic Games and Chair Entertainment released Infinity Blade [99¢], an Unreal Engine-powered sword battling RPG that redefined what we could expect from visuals on the iOS platform. They released the sequel, Infinity Blade II [$6.99], this past November, and basically improved upon everything in the first game. However, the original Infinity Blade is still really great, and I still find myself playing both titles regularly.

If you’re one of those people who haven’t dived into the whole Infinity Blade thing yet, now would be a good time to check out the series yourself without much risk, as the first game is on sale for its lowest price ever at just 99¢. Even if you don’t think the Infinity Blade style of game is for you, you at least owe it to yourself to drop a buck on it and find out for sure. I really didn’t think much of the game when it first came out, if truth be told, but I continued playing and somewhere along the line something just “clicked” and I found it almost impossible to put the game down ever since.

You can read our full review of the first Infinity Blade if you need some more insight, and if you like it and want some more, you can check out our review of Infinity Blade II as well. This sale is advertised as an April Fool’s sale, so be sure to grab it quick as there’s no telling how long it will last.

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Last October, indie developer Bertil Horberg released Helium Boy [$1.99], a colorful 3D platformer about a boy and his balloons. Helium Boy was a pleasant surprise with its cheery visuals and gameplay that revolved around filling up balloons in order to float the protagonist around each of the game’s levels. Unfortunately, an awkward camera made it difficult to properly navigate the terrain, which led to us being hesitant about fully recommending the title in our review.

Still, Helium Boy had flashes of brilliance, and we really wanted to enjoy it more. Now, Bertil is taking another stab at a platforming game with the upcoming Gunman Clive. This time around he’s sticking with a more traditional 2D side-scrolling gameplay while still retaining 3D visuals. Gunman Clive also has a really interesting sketchbook-style look, which you can see in the trailer (it’s also pretty darn funny).

Bertil says his main influences for Gunman Clive were Megaman and other classic platformers of that ilk, and he’s aiming for a more straightforward platforming and shooting game as opposed to the kind of gameplay that was in Helium Boy. I’m pretty much a Megaman fanatic, so hearing this really has me excited to see how it turns out. Look for Gunman Clive to launch with the usual slew of new releases later this week.

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This week on The TouchArcade Show, we have to force ourselves out of discussions about WrestleMania and other stupid junk in order to bring you the latest, hottest, and best in iOS. At the top, we dive into several new releases: Hunters 2, Ow My Balls XL, and Motoheroz take center stage. Later, we discuss what Baldur’s Gate for iPad means to us, and we even dabble on the ever interesting subject of why AAA publishers don’t seem to care about the App Store, and why we don’t bug them about it.

There’s much, much more, so feel free to listen if we’ve tickled your interest. You can do so via the handy-dandy links just below, or hey, subscribe to us on iTunes or Zune. We’ll love you forever if you do the latter.

iTunes Link: The TouchArcade Show
Zune Marketplace: TouchArcade.com Podcasts
RSS Feed: The TouchArcade Show
Direct Link: TouchArcadeShow-045.mp3, 42.7MB

… And here are your show notes:

GAMES

• Hunters 2 [$4.99]
• Ow My Balls XL [Free]
• Motoheroz [$.99 / HD]

JARED’S KITTY KORNER

• Kitten Sanctuary [$.99 / Lite]

JARED’S KITTY KORNER REDUX

• Drop a Cat [ Free ]

FRONT PAGE

• Sega To Release ‘PSO’ On iOS… Kinda
• Rovio Gobbles Up Futuremark Games Studio
• ‘Baldur’s Gate for iPad’ Hitting Every iPad and Maybe iPhone, Too
• ‘Dark Meadow’ Free-To-Play Finally Hits

This week’s episode Was Sponsored By Stamp Art Fever.

Stamp Art Fever, Free Stamp Art Fever by independent developer Francesco Chessari is a unique strategy game in the App Store. In the game, you are an art-stamp collector, building your virtual stamp collection by searching over 700 exclusively-designed stamps.

In Stamp Art Fever your objective is to acquire and collect artistic stamps, build up and manage your collection gallery, and trade and compete against other players from all over the world for the most valuable collection. It is not a game just for stamp lovers – if you have a collector mindset and you love art and management games, Stamp Art Fever will strike an immediate chord with you.

Stamp Art Fever for the iPhone, iPod touch and iPad is available now in the App Store for FREE.

IMPORTANT EDITORIAL NOTE: Eli will be going to Medieval Times on Saturday, not Sunday. We are sorry for any confusion this mix up may have caused.

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Way back in the summer of 2010 (wow, where does the time go?), I was very pleasantly surprised with Oyatsukai’s Final Freeway [Free], an homage to Sega’s classic OutRun arcade racer. You could tell straightaway that there was plenty of love put into Final Freeway by somebody who absolutely adored the source material, and unsurprisingly this love translated into fun gameplay for those craving an on-the-go OutRun-alike.

While we praised Final Freeway in our review, it was missing a couple of core components that make an OutRun game, well, OutRunny. First was a lack of branching paths when you reached the end of a track segment, which normally would allow you to choose your own path to the end of the race. Instead Final Freeway was just a straight shot through its 6 environments.

The second big thing that was missing was the ability to crash and flip your ride. Sure, this is just a visual thing that doesn’t really affect gameplay, but it can’t truly feel like an OutRun game unless you can barrel into a tree at 160mph, flip your vehicle through the air several times while the passengers are ejected, and have both the car and the people come out completely unscathed. Also, where was the pretty blonde riding shotgun? Maybe she was there, but since the car wasn’t a convertible in Final Freeway, I’ll never know for sure (these things matter).

So there you have it, Final Freeway was an awesome OutRun clone with a few minor flaws. Fast forward to earlier this month, and Oyatsukai has taken all the feedback from the original Final Freeway and put it into the sequel, Final Freeway 2R [99¢], which truly is the OutRun game we’ve been waiting for. All the things we felt were missing from the first game? Those are in Final Freeway 2R, and it even does a couple of neat new things that really differentiates itself from OutRun while still retaining the feel of that series.

The first big thing in Final Freeway 2R is that there are now 13 different environments to race through in total. Each complete game has you racing through 5 of them, with a branching path at the end of each that lets you pick which route to take. It’s super OutRunny! Also, the graphics look a lot better this time around, with more detailed sprite work and a greater draw distance. The sense of speed in Final Freeway 2R is just ridiculous, and puts most other racers to shame. All the while it runs at a rock-solid framerate.

Of course, you can also now flip your ride in Final Freeway 2R, which as I’ve explained is incredibly crucial to the experience. You get a convertible faux Ferrari this time too, so you can actually see your blonde lady friend sitting in the passenger seat. In a cool twist over the original, you can now choose from 3 different drivers in Final Freeway 2R, each with their own set of stats. One of these drivers actually is the blonde cutie, and when you pick her one of the other fellas ends up riding shotgun. Equality!

One other interesting change from OutRun is now you actually have a rival of sorts shadowing you through each environment as you race towards the end goal. If you manage to reach the end of a track segment before he does you’ll get an additional bonus. It’s not integral to the overall experience, but it does add a nice bit of extra motivation to actually have an opponent to race against rather than merely trying to beat the clock.

Overall, Final Freeway 2R is a huge improvement over the original, and I just can’t believe how hooked I’ve been on it since it came out. It’s just pure, simplistic, fast-paced, arcade racing fun. If you’re not really an original OutRun fan but are curious if this sort of gameplay is your thing, then for today only you can grab the first Final Freeway for free to see how it grabs you. If you like that, then just know that Final Freeway 2R improves on everything from the first and will set you back just a buck.

TouchArcade Rating:

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