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An App Store favorite of our readers who relish the retro is surely Manomio's Commodore 64 [link], the C64 emulation system / game store that does a great job of putting an expanding list of 8-bit classics right in our pockets. We first got wind of Manomio's emulation effort in June of last year, when it was submitted to Apple and rejected, as it was determined to be in violation of the iPhone SDK agreement.

Then said Apple,

Thank you for submitting C64 1.0 to the App Store. We've reviewed C64 1.0 and determined that we cannot post this version of your iPhone application to the App Store because it violates the iPhone SDK Agreement; "3.3.2 An Application may not itself install or launch other executable code by any means, including without limitation through the use of a plug-in architecture, calling other frameworks, other APIs or otherwise. No interpreted code may be downloaded and used in an Application except for code that is interpreted and run by Apple's Published APIs and built-in interpreter(s)."

It was the system's included BASIC interpreter that was the sticking point for Apple, it turned out. Manomio disabled (and then removed, as it was deemed necessary) the BASIC interpreter and the app finally found its place in the store, and in Apple's good graces.

Last Thursday, Apple made significant changes to the iOS SDK agreement, relaxing restrictions on development tools used to create iOS applications. One of the areas of the SDK agreement affected was section 3.3.2, the specific part of the agreement that Apple determined Manomio had violated with the initial releases of C64. Upon hearing this news, Manomio CTO Stuart Carnie was quick to read over the new Apple document and found the following, updated section 3.3.2.

3.3.2 An Application may not download or install executable code. Interpreted code may only be used in an Application if all scripts, code and interpreters are packaged in the Application and not downloaded. The only exception to the foregoing is scripts and code downloaded and run by Apple’s built-in WebKit framework.

As can be seen in the new language, interpreted code is now acceptable under certain circumstances. In light of this fortunate turn of events, the developer has put together an updated version of C64 (v2.0) with BASIC enabled. Wanting Apple to be fully aware of his re-inclusion of the BASIC interpreter, Carnie extensively underscored his changes in the Reviewer Notes section of the submission form and additionally sent a courtesy e-mail to Apple on the issue. Since then, the developer and Apple have had further correspondence regarding the update and the response so far is positive. Apple will, understandably, spend additional time reviewing the application, but Carnie says he remains cautiously optimistic.

If Apple does end up rejecting the update, Manomio's plans are to remove the BASIC interpreter, but leave in place the other enhancement that this update brings, Carnie tells us. Those other enhancements include:

• FIX – fix crash when attempting to use the "Download All" feature and many games are queue
• FIX – Add additional controls to Hunter's Moon
• FIX – iPad landscape view is no longer partially off the screen
• NEW – Upgraded to OpenFeint 2.6.1 (includes time-scoped leader boards)
• NEW – iOS 4.1 tested
• NEW – New "Always use keyboard" option to access additional in-game features

Apple's recent update to the SDK agreement gives developers of all manner of apps more flexibility, but is a particular boon to developers of retro system emulators and games. We've got our fingers crossed that C64 with BASIC enabled is given the nod by Apple and that other developers are inspired to bring others classic systems and games to our favorite mobile device family.

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We've been excited for the Parrot AR.Drone since we first heard about it early this year. After a few different hands-on opportunities at various conventions, it was hard to not see the amazing potential the device had once you got it outside of the little 10 foot by 10 foot tent that was home to its demonstrations. After spending an entire week with the Parrot AR.Drone, it does have some down sides, but is still the coolest RC toy I've had a chance to play with.

The Parrot AR.Drone is a quadricopter that is piloted using an iPhone, iPod touch, or even an iPad. When the device is powered up, it starts broadcasting its own WiFi network. Using the companion Free Flight [Free] app, you connect to this wireless network and begin controlling the unit. The network it creates isn't encrypted at all, but the AR.Drone does bind itself to the first device that connects to it to prevent other people from hijacking your flight session. Unpairing your phone is as simple as pressing a small button on the underside of the device.

Once you're connected to the AR.Drone via the Free Flight app, you're immediately shown whatever the front facing camera sees. The top left button cycles through what is displayed on the screen between the front facing camera, the bottom facing camera, or a mixture of both. With both displayed you can continue pressing the button to swap whether the front facing or bottom facing camera is shown in the corner or filling the screen.

Just below the camera cycling button is a button that allows you to edit the settings of the device. From here you can tweak nearly everything such as how quickly it will climb, how much it will bank on turns, how sensitive the iPhone controls are, and even the SSID the AR.Drone broadcasts. Also in the settings is what kind of shell you're currently using and whether or not you're flying outdoors.

Included with the Parrot AR.Drone is the large indoor shell which protects the propellers from bumping in to things as you fly it around your house as well as the much sleeker outdoor shell. Swapping these is easy, they fit over the front facing camera and are secured on the back with a magnet. Outdoor hulls are available in three different colors for $20 each, and a replacement indoor hull will run you $30.

The first thing you notice with the AR.Drone when you pull it out of the box is just how incredibly light and fragile the whole unit feels. The two different hulls and the body of the unit itself are made of EPP, or Expanded Polypropylene, a material that is widely used in most RC aircraft. It's able to bounce back and retain its shape, but just like other RC aircraft, I don't see the AR.Drone being able to handle much abuse. Thankfully, Parrot has an entire online store with every part you'd need to completely rebuilt your AR.Drone if you had to.

Flying the device itself is very easy, although doing anything more than just basic maneuvers requires a bit of getting used to. In the Free Flight app, tapping the button at the bottom of the screen causes the AR.Drone to either take off or land. From there, holding your thumb on a button on the bottom left side of the screen allows you to move the unit forward, back, or side to side by tilting the device you're running Free Flight on. Turning side to side and adjusting your altitude is accomplished using a virtual joystick of sorts on the right. If you get in trouble, an emergency button on the top of the screen immediately kills power to the propellers.

It's amazing just how much the AR.Drone does for you. It comes packed with some fairly advanced circuitry that will do everything it can to keep the device level. If you ever lose your connection to the AR.Drone WiFi, it just stops itself then slowly lands. Using sensor data from the bottom of the device, it can keep itself hover in place, even outside in a light breeze. Aside from actually running into something, the AR.Drone is also very difficult to crash, even when you're intentionally trying to get it to lose control. If it senses that it's about to tilt too far to one direction or otherwise lose control, it will abruptly correct itself.

It's really cool to see all these systems working in tandem, and if you've ever fiddled with other RC helicopters before, how idiot proof the AR.Drone is in comparison will amaze you. Unfortunately, because flying the device is such a cool experience, the first thing you immediately come to grips with is just how short the battery life is. On a full charge, I was able to fly the unit outside for around a half hour (or less depending on wind conditions) and indoors I was able to juice an additional 15 minutes or so out of the battery for a total flight time of about 45 minutes. Charging the battery back up takes an hour and a half.

Another unfortunate drawback to the AR.Drone is just how mediocre the cameras on the device are. The forward facing camera sports a resolution of 640×480, and Parrot claims it delivers this video feed at 15 FPS, but in my testing the frame rate was rarely anywhere near that, or very constant for that matter. The bottom camera is a much lower 176×144, but can display 60 FPS according to Parrot. In my testing, video from the bottom camera is a lot smoother, but it is very difficult to fly the unit using only the bottom facing camera. Because of this, more often than not I just flew the AR.Drone like I would any other RC toy in that I just watched it in the air and used my iPhone as an incredibly elaborate controller.

Without a shell on, the AR.Drone can lift very light loads, allowing for things like high definition helmet cams to be strapped to it for some better video. For instance, I found this video on YouTube of an AR.Drone with a Contour HD 1080p camera onboard:

Once you spend more time with the AR.Drone, other limitations begin to become increasingly noticeable. For instance, with the height limiter enabled in the options, the AR.Drone will only climb to around 20 feet off the ground which is as far as the sensors under the craft can detect. With the height limiter disabled, you can climb much higher, but flying the unit becomes incredibly difficult as it's no longer capable of hovering in place once you exceed the capabilities of its bottom-fancing sensors.

Testing the vertical capabilities of the device was the only time I had to use the emergency button. Once you take away the AR.Drone's ability to figure out where it is in relation to the ground, it loses its ability to correct its location. Flying the device on what I'd call a fairly calm day resulted in it almost being blown into some trees when a small breeze picked up. In comparison, in similar conditions closer to the ground the AR.Drone barely moved at all.

Also, since the whole device operates on WiFi, you're constrained by the range limitations of both the AR.Drone and the iPhone. Parrot is claiming you can operate the device from 150 feet away, which seemed a little optimistic in my testing. Thankfully, all the cool auto-pilolting stuff I mentioned earlier comes in to play when you lose your connection to the AR.Drone and it just flies in place waiting for you to get back in range and resume flight.

Overall the Parrot AR.Drone seems like a very 1.0 device with loads of potential both in future hardware revisions and in future development with the AR.Drone API. Improved battery technology, higher resolution cameras, and more powerful sensors to allow for higher flights are all things I would love to see in future models. Currently the only companion app available for the AR.Drone is the Free Flight app, but Parrot has promised other apps such as augmented reality games where two players with their own AR.Drones can have virtual dog fights, and other similar things. None of these were available at the time of this review, but I definitely can see the amazing potential for future software development.

Parrot is boasting a completely open API for developers to program their own apps to interface with the AR.Drone. While I'd love to think that there are going to be all kinds of different third party apps for the device, I really can't imagine many developers devoting resources to projects that not only require you to own an iPhone or iPod touch, but also a Parrot AR.Drone– Especially considering the mediocre uptake that iPad-only games have seen, and the iPad's market is likely exponentially larger than that of the Parrot AR.Drone.

However, if you're interested in RC aircraft and have dabbled in iPhone development, I really can't think of a much better toy to own than the AR.Drone. Throughout all my testing, I kept thinking "The AR.Drone would be cool if it did _______." If you're capable of utilizing the API to build an app that fills in the blank for whatever awesome functionality you come up with, $300 for the AR.Drone seems like a worthy investment for hobbyists.

While the Parrot AR.Drone is the coolest RC Toy I've ever played with, it's hard to give it a strong general recommendation given the current lack of software. It also would have been nice to see Parrot bundle a second battery in with the unit since additional batteries are pretty much required if you're serious about flying the device. If you're OK with waiting to see what additional apps get released, and you're patient enough to deal with 90 minute recharge cycles, flying the AR.Drone will likely be one of the most awesome things you'll ever do with your iPhone.

The Parrot AR.Drone is currently available at Brookstone for $299.99. They offer a number of accessories with it, including extra batteries for $29.95 and both two- and three-year service plans– although it's not entirely clear if crashing the device in to a tree constitutes as "normal wear and tear" in the eyes of Brookstone's warranty department.

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We've been following Dodonpachi Resurrection [$4.99] for a while now, from its first announcement, to the first gameplay trailer, and even the pricing and release date.  And after all this anticipation, developer Cave's follow up release to the excellent Espgaluda II [$8.99/Lite] actually lives up to the hype. In fact, I like it even more than Espgaluda II, though I'm not necessarily saying one is better than the other. They're very different beasts, and really it's worth owning both if you like top-down shooters. But Dodonpachi Resurrection feels like a more well rounded experience, and caters really well to both casual shooter fans and the most hardcore of them all. There's near endless replayability due to an ingenious scoring system, and Dodonpachi Resurrection deserves a spot on every shmup fan's home screen.

Visually, Dodonpachi is a very striking game. There is no fancy Retina Display support, as this is originally an arcade game running at an entirely different resolution, and it would be unrealistic for Cave to redraw all of the artwork to suit the iPhone 4. That said, the game still looks damn good. There are three different screen sizes to choose in the options. Small has a huge border area but makes the graphics look the sharpest. Large fills the iPhone screen with the game and a small border on the bottom, but the sprites and text look slightly blurry. Medium is the default and it's in-between the other two settings. I fancy the large setting, as I don't really like borders in my games and the blurriness honestly isn't that bad. The game is filled with tons of huge explosions, humongous transforming bosses, and dozens of enemies and bullets onscreen at any given time. No matter what screen size you play with, it all ends up looking really impressive.

There are two game modes in Dodonpachi, the original arcade mode and a new iPhone mode. Arcade has you choose from three different ships and three offensive styles. These styles can give you unlimited bomb use, a more powerful alternate cannon to switch to, or a combination of the two. They all can help you in different ways, and as such each ship and style combination has its own leaderboard in OpenFeint. The arcade mode is a lot of fun to be sure, but the iPhone mode with its unique scoring system and brand new Hyper Cannon weapon are what really stand out in the game.

In iPhone mode, there is no need to pick styles, just which ship type you want to use. A divided gauge in the upper right of the screen is used for the SM scoring system. A circular area surrounds your ship, and narrowly avoiding these bullets but letting them pass through this area (known as “scraping”) fills the gauge towards the M side while also building up a multiplier in the upper left of the screen. You can continue to do this all the way until your multiplier hits x1000, if you wish. When the M side of the gauge is full, you can hit the Hyper button to start your ship firing wildly, and control the direction of fire by touching the ship and turning it. If you touch the ship and spin it in circles during this time, you build up your Hyper Cannon which unleashes an enormous beam of destruction that obliterates everything on the screen.

Killing enemies in rapid succession is what fills up the S side of the gauge, and once it's completely full you will gain whatever your multiplier is at for every enemy you destroy. Essentially, you use this SM gauge in a yin-yang like harmony of avoidance and utter destruction in order to achieve incredibly high scores. It's really brilliantly designed, and it may sound complicated on paper but it's pretty easy to grasp onto after playing for a bit. Admittedly, I'm not a hardcore bullet hell shooter guy. I love me some shmup action, but more the typical brand of them, and I've always been apprehensive of the bullet hell type because they just seemed so difficult. Not so with Dodonpachi, and I really understand now how different a bullet hell shooter is and the different type of gameplay it brings to shmups.

And this brings me to what I really appreciate about Dodonpachi Resurrection, you don't have to play it any particular way. Yes, you can endlessly scrape bullets and build huge multipliers, then strategically destroy many enemies in search of massive scores and coveted leaderboard spots. Or you can play it much like a normal shooter, using the bombs and special weapons to destroy the many enemies and bosses in spectacular fashion as you progress through the levels to the end. Heck, I beat the game twice before I even fully understood the scoring system, and had a total blast doing it. This is one of the first games of this kind where I've felt like any type of gamer can get a lot out of the experience.

There's a lot more to Dodonpachi too, like the absolute spot-on relative control system, the excellent brand new music for the iPhone mode, many OpenFeint achievements to unlock, multiple options and difficulty levels, hidden modes, and more. But the bottom line is that if you're a fan of shooters in any way, you'll want to pick up Dodonpachi Resurrection. There's not currently a lite of the game (there's one on the way), but the introductory price of $4.99 will be going for the next few days before jumping to the regular price of $8.99. Also worth noting is that you'll need a 3^rd generation device or higher, or an iPad, to run the game due to the insane amount of sprites it pushes at any given time. A veritable love-fest is going on with players in our forums who are enjoying the game as much as I am, and as far as shooters go on the iPhone it doesn't get much better than Dodonpachi Resurrection.

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Just a couple of weeks ago we brought you the first screens and info from the upcoming sequel to early App Store classic Blue Defense! titled Blue Defense: Second Wave. Since then, we've been able to spend some time with a work-in-progress build of the game and check out how Second Wave plays compared to the original. So far, it's shaping up really nicely. It takes the core gameplay of the first game and adds some interesting new features and a lot more content, retaining the simplicity that made the original such a joy to play but adding just enough depth to offer a really different experience.

The basics of Second Wave remain the same. You'll fight off waves of enemies with a perpetually shooting cannon firing from the center of the planet which you're trying to protect. A population of about 7 billion people act as the life of your planet, with that number dwindling with every enemy that penetrates your defense. If the population hits zero, the planet is lost and it's game over.

One of the biggest changes this time around is the ability to fire multiple cannons at once. Touching the screen at any time brings up an aiming reticule and a new stream of fire, with multitouch support for adding up to five additional streams along with the first cannon. A quick double tap on the screen locks an aiming reticule in place at that point on the screen, which can be dragged around and set anywhere you want to direct more firepower. You can set up to ten of these locked streams in addition to the five you can add by touching. Coupled with the normal cannon, that's a whopping sixteen streams of fire at your disposal.  These screens were taken from an iPhone 4 and showcase the Retina Display support in Second Wave (click to enlarge):

While this may seem like an unfair advantage, the game intelligently balances this out by making every stream share from the same pool of firepower. For example, one stream of fire will rapidly spray many bullets in one direction. Adding a stream cuts this in half, with less bullets firing more slowly out of each stream. This gets divided with each stream added, and by the time you get to the full sixteen, each stream is very slowly shooting just one bullet out at a time.

The ability to add streams adds a tremendous amount of strategy in how you choose to play the game. It's such a big help to be able to quickly direct additional fire towards incoming enemies from any direction, or lock a stream of fire towards a dense group of enemies. Besides the ability to add streams of fire, you also get a new weapon in the form of the planet cannon. Touching your planet and swiping in the direction you want to fire launches a humongous beam of destruction that's as wide as the planet itself. The planet cannon vaporizes anything in it's path, but comes with limited uses.

Here's a short video of the preview build (no sound in this build):

These additional offensive options take Second Wave to a new level, and I haven't even gone into the gauntlet mode yet. Gauntlet mode is essentially a campaign that has you defeating set levels with predetermined numbers of waves and various difficulties, but we'll leave some of this for when the game is released. The major stuff is done and it's just entering the polishing phases now, so it shouldn't be too much longer before we'll be taking a look at the final version of Blue Defense: Second Wave.

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I recently had the chance to visit the Telltale Games San Rafael studio and spend some time with their upcoming story-based puzzle game Puzzle Agent. In the game, you'll play the role of Nelson Tethers, the country's preeminent (and only) agent of the FBI Puzzle Research Division. An incident at the eraser factory in Scoggins, Minnesota has brought production of erasers to a halt. Since this particular factory supplies erasers to the White House, the foundations of democracy hang in the balance until they are able to replenish their supply. All inquiries about the factory's closing have resulted in responses in the form of puzzles, so Nelson is sent to investigate the incident and unearths a twisted tale of what's really happening in Scoggins, Minnesota.

The art style in Puzzle Agent is directly inspired by the work of Graham Annable, who is responsible for creating the Grickle comics and animated shorts (which can be seen at his YouTube channel). Puzzle Agent isn't exactly a Grickle video game, but it does use the same type of characters, animation, and dark humor that the series is known for. Telltale Games producer and designer of Puzzle Agent Mark Darin engrossed himself in the world of Grickle before writing the story for the game, and Graham did the storyboards for characters and locations. For fans of Grickle, it's very much a Grickle game, but is not directly branded as such and doesn't require any previous knowledge of that series to enjoy the minimalist style and twisted sense of humor in Puzzle Agent.

Puzzle Agent can be compared to games like Professor Layton or The Jim and Frank Mysteries in that you're on an adventure and must use solving puzzles to unravel the story and progress through the game, but it makes some smart changes to the formula that sets it apart from similar games. Most notable is that all of the dialogue in the game is voiced, which gives the characters a ton of personality that couldn't be conveyed through text alone. Also, whereas adventure games are traditionally set against 2D backgrounds, Puzzle Agent renders the backgrounds in 3D. The game still has that 2D animated look that it sets out to achieve, but the 3D backgrounds allow for more dramatic camera movements and transitions between scenes.

Another smart design choice is in the way you interact with the environments. Tapping on the screen causes a ring to emanate from the point where you touch, and if there is anything interactive within that radius a small icon will show up. This allows you to inspect large areas without scouring every inch of the screen, or as Mark Darin calls it, “pixel hunting”. As someone who hates to miss anything in an adventure game, and who tirelessly hunt-and-pecked for every coin in Professor Layton, I really appreciate this mechanic. Despite being a multiplatform release, Mark has said that Puzzle Agent was designed from the onset with touch interface in mind, and it really shows.

Puzzle Agent was released for Mac and PC last month, but is shaping up very nicely for its iPhone and iPad release. It looks and plays like a dream on the iPad, and even makes the transition to the smaller screen of the iPhone rather well. Some textures need to be cleaned up a bit on the iPhone version due to being shrunk down to a smaller size, but overall both versions are nearly complete. Telltale expects to be submitting any day now, and hopes to have the game released before the end of August, although that can largely depend on Apple's approval length.

After trying out the game at their offices, I picked up the game for my Mac and have been enjoying it a lot so far. If you're as impatient as I am, you can get Puzzle Agent right now from the Telltale Games webstore or pick it up on Steam. Otherwise be on the lookout for Puzzle Agent on your iPad, iPhone, or iPod touch in the next couple of weeks and expect a full review then as well.

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We haven't done a roundup of recently released lite versions to try in quite some time now, which means there is more than a heaping helping of them to download. I'm only going back through the past month or so of releases, and cherry picking the more interesting lite versions of games we've already mentioned in one way or another, but to see everything that has come out that is free, swing on over to AppShopper. Anyway, here is an alphabetical list of lite versions that you should try as all of these games are pretty awesome:

A PHYSICS GAMEBOX FREE, Free We thought Physics Gamebox was a great fit for the iPhone in our review, and now not only is this pair of physics puzzlers free to play on NewGrounds, but there’s also a lite version on the App Store. If you liked Ragdoll Blaster at all, make sure you try Physics Gamebox.

Cubed Rally Racer Lite, Free The full version of Cubed Rally Racer is one of my favorite racing games, as it combines RC Pro-Am style retro racing with a fantastic random track generator and OpenFeint to send and receive ghost challenges between your friends. To see me gushing over the game even more, check out our review.

Daredevil Dave: Motorcycle Stuntman! FREE 2, Free There’s already one free version of Daredevil Dave, but this one adds another two jumps to try. This is basically a trial and error based trajectory game, but you hardly even notice because it has so much personality. Take a look at the trailer in our review to see exactly what kind of punishment is in store for poor ol’ Daredevil Dave.

Flick Fishing HD FREE, Free If you own an iPad and you’ve been looking to try Flick Fishing HD, here is your chance. The iPhone version has been downloaded millions of times and is almost constantly being featured in various “best of” and “most downloaded” listings on the App Store. The iPad version features high resolution graphics and slightly modified controls like most HD-ized games.

Giant Moto Lite, Free If you have fond memories of Excite Bike for the NES, you should give Giant Moto a try. It’s a little basic, and desperately needs some kind of randomized track and/or track builder mode since even the full version is a little light on content… But as we mentioned in our original post on the game, it’s hard to not see the potential for this game to be really rad with some updates.

iHook Lite, Free I thought the full iHook was cool when it was first released, but the unconventional control scheme was a little hard to describe, and since that’s such a main part of the game I’m glad they finally released a lite version. Gameplay involves shooting out grappling hooks, attaching to pylons of sorts, and releasing once your trajectory has been altered enough.

Infect Them All Lite, Free Previously known as Infection:Zombies, Infect Them All is a cool tilt based game where instead of killing zombies, you play as a zombie trying to convert as many humans as… humanly possible. I thought the premise of the game was neat when it first came out, but the lite version might just be enough for the novelty factor of turning humans to wear off.

Max Vector LITE, Free As mentioned in our mini-review, Max Vector is fairly basic like most Game Salad games, but the developers more than make up for this with heaps upon heaps of old school retro charm and fantastic chiptune music by 8 Bit Weapon. If huge pixels are your cup of tea, you should at least try the lite version of Max Vector.

Meowcenaries Lite, Free Yet another crazy game from Adult Swim, this time you play as a platoon of cats much like the classic game Cannon Fodder. Meowcenaries is loaded with tired memes and lolcat jokes, which will either amuse you or annoy you. We posted it when it first came out with a few other weird games if you like this one.

MrOnionsLite, Free If you’ve ever enjoyed one of the many physics-powered bike jumping games on the App Store (of which there are many), you really need to give Mr. Onions a try. The art is cute, the gameplay is fun, and the odd twist of needing to not only make it to the finish, but make it there with your basket full of groceries is awesome. For more details, read our review.

NAMCO GAMES PORTAL, Free Namco bundled up Pac-Man Lite, Ace Combat Lite, Galaxa Remix Lite, Dig Dug Remix Lite and Time Crisis Strike Lite in to one app. I guess the one download is convenient, but looking at these games side by side just kind of makes you realize how lackluster Namco’s efforts on the App Store have been so far.

Need for Speed Shift FREE, Free Both Need for Speed games on the App Store have been awesome, and believe it or not, Shift actually feels a lot like the console versions of the game. It doesn’t have all the content of the 360/PS3 game, but it’s just as much fun. Take a look at our preview for some gameplay video.

PREDATORS™ Lite, Free From the guys behind Guerilla Bob comes this fully licensed Predator game which bucks the trend of terrible movie games and actually is quite a bit of fun. We have a fairly in depth review, but if you like dual stick shooters or the Predator universe you can just skip straight to downloading this game.

Psychoban Lite, Free This clever twist on classic Sokoban drops you in a hospital ward where you’re forced to solve a series of puzzles after going through a “procedure”. The controls work well, although at times the camera perspective can get a little wonky. We liked it in our review, and if you like puzzle games you should totally snag this lite.

X2 Snowboarding Base, Free If you have even a vague interest in snowboarding games, you need to have X2 Snowboarding on your iPhone. We explained how awesome it is in our review, and this is a game I’m still playing months later.

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TechCrunch posted today about 11 new startup companies to be funded by TechStars, a group that has provided seed money and mentorship for various startup companies for the last four years. Most of these companies seem to lead towards different web services, but GearBox is a "smart toy company" who have created a robotic ball which can be controlled via a smartphone using a simple API.

How this all works is summarized in a recent GearBox blog post:

So basically how HTC/Android/Apple make smart phones, we make smart toys. Our first smart toy is a robotic ball that you can move by tilting your phone in the direction you want the ball to roll. We are then leveraging the connectivity and computing power of the phone to create a fully interactive experience for the user. Our first app for the ball is Sumo. I throw my ball on a table, you throws yours on the table and then we can try and sumo each others ball off the table. However, while our physical balls are moving there is also an onscreen component with online stats, profiles, damage, powerups and other aspects of gameplay that aren’t possible with a regular remote control toy. For instance, when the balls collide they can sustain “damage” and roll slower or I could get a powerup to reverse your controls for a few seconds.

Other examples cited were a golf game where you swipe to "hit" the ball, curling where you roll the ball then "brush" on the screen, or even just control the ball to harass your cat. Currently all of the app development is being done on Android, but according to the guys at GearBox, iPhone development is totally possible and they're just using Android for prototyping. The Smart Ball is still in prototype phases itself, and it's hard to say when it will be available for sale. Either way, it seems that the Parrot AR.Drone isn't going to be the only toy in town to be controlled via a smartphone.

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If you like chucking gnomes (and who doesn't?), you need to be aware of Chuck Gnome [$1.99/Lite] from developer Movable Sprites. Essentially, it's a mixture of Ramp Champ [$1.99] and MUST.EAT.BIRDS. [99¢/Lite], but with 100% more gnome flinging. The painfully simple mechanic of pulling back and launching gnomes at targets is bolstered with some complex level designs and excellent presentation. Simple enough that anyone can play, but requiring a surprising amount of skill and determination to be successful, Chuck Gnome is a game that is full of challenge and a lot of silly fun.

As the name implies, the task at hand is to chuck gnomes at various targets in the game. Each of the 5 levels (plus a bonus level) has the colorful, illustrated look of a children's storybook come to life. The levels also evolve as you play, with backgrounds and targets changing as you progress, sometimes resulting in a level that is completely different than it was when you started. It's quite a sight to behold, and coupled with the charming background music the presentation in Chuck Gnome is a real high point. The levels are set up like shooting galleries, with different targets moving as if on a track or popping up from the edges of the screen. Another neat aspect to the levels is the clever use of the accelerometer. Similar to the game Bowmaster [99¢], tilting to either side shifts your view to reveal more of the level, and can give you an extra chance to hit a missed target.

Simply pulling back on the slingshot at the bottom of the screen launches your gnome, and how much you pull him back dictates how far he will travel into the distance. You have an unlimited number of gnomes to launch, which may make it seem like you could rapidly spam gnomes to take out all the targets, and to a certain extent this is true. But this will only get you through the first few levels at best, as the later levels require precise aim to take out targets. Also, this tactic won't net very high scores due to the multiplier aspect of scoring. Successfully hitting targets in a row builds up a progressive multiplier, and thoughtful shooting can result in some monster scores.

The biggest issue I had with Chuck Gnome is that it can be very hard to progress in the game. Each level must be unlocked by finding a key in the previous level. Taking out certain targets before time runs out will result in the key popping up on screen, which must also be hit with a gnome to initiate. This can be difficult to pull off at times, but is definitely possible with perseverance especially as you learn which targets to shoot for in order to get the level to switch to its next set of targets eventually leading to the key appearing. Another minor issue is the sensitivity of pulling back the sling doesn't feel consistent. Sometimes it seems the slightest pull will send your gnome flying completely offscreen, and vice versa. You get used to it to an extent but it still feels rather touchy.

What appears to be an overly simplistic game on the surface actually has a ton of subtle depth, and Chuck Gnome is one of those games that's easy to pick up and play for short or long periods of time if you end up getting sucked in to maximizing your multiplier with precise gnome shooting. OpenFeint is in the game for online leaderboards and achievements, and it should take a good amount of time to play through every level. Even once completed, there's incentive to go back and try to top your previous high scores by playing a level more efficiently. Overall, Chuck Gnome combines a fun flinging mechanic with stellar visuals, and players are enjoying the game in our forums as well. If you're on the fence, give the lite version a try first. Content is fairly limited in the free version, but it will give you an excellent idea of how much you like the flinging mechanic the game hinges on.

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Ever since a slew of new APIs found their way into the latest version of Apple's iOS, the one that we've been waiting for somebody to really take advantage of is the ability for applications to finally be able to tap into the music library of the device itself. We even dreamed of the classic Audiosurf making its way to iPhone in a post from early last month. With the success of rhythm games in the past few years, and especially the Tap Tap Revenge series on iPhone, gamers have been clamoring for a similar game that they can play using their own music. Enter Tapic [99¢], the first game (that I know of) that creates a tapping chart directly from a song in your music library for you to play with. Tapic attains various levels of success in what it sets out to do, but it's far from perfect. Still, it's a novel use of the new API and is pretty fun in its own right.

The interface used in Tapic is simple to use. Choosing Play from the main menu brings up all the songs from your music library. After selecting a song Tapic will create a note chart for it, which takes about 10-20 seconds, and next you'll choose which difficulty to play it on. The harder the difficulty, the faster the notes come barreling towards you down the lanes. Choosing More Songs from the menu allows you to select a bunch of songs at once and have them prepared in advance for playing. Depending on how many songs you choose this can take a quite a few minutes, but allows you to play from songs in your playlist in succession without waiting for each one to create a chart in between.

The game can be played in portrait or landscape mode, although landscape must be purchased and unlocked using collected in-game coins (or by buying them with real money as IAP). Portrait uses three lanes of notes to tap along with, and landscape uses five. The game is at its best in landscape mode, and it's annoying that this must be unlocked rather than available from the start. Portrait is still ok, and it's a good way to get acclimated with playing Tapic, but landscape is where I spend most of the time playing. Different themes can also be bought using the game currency for both portrait and landscape mode, adding some graphical variety to the backgrounds.

The presentation and functionality of tapping the notes all work extremely well in Tapic, but it's the actual chart generation that fails to really impress. It doesn't ever feel like the notes jive with the song in a meaningful way as they rarely sync up properly, and when they do it mostly just feels like a coincidence. Some songs fared better than others while testing out the game, but overall you really feel like you're just playing an unrelated tapping game while listening to your favorite tunes. In my experience, and the general consensus of gamers in our forums, is that hip-hop and techno music gives the best results, while rock and metal generally don't.

The funny thing about the chart generator is that even though it's somewhat lacking, Tapic is still a lot of fun. I found myself continually wanting to keep playing, even though it didn't really feel like my performance had any impact on the song that was being used. I just can't help but feel like if the developer can improve this aspect of the game, which they have stated they are working on, then Tapic could really be something special. My other biggest point of contention is having to play for an extensive period of time (or spend real life money) before being able to unlock the landscape mode. It just feels like a cheap aspect to an otherwise excellently presented game. Perhaps the game will be taken to the next level over the course of its lifespan, but even right now Tapic is an interesting and fun way to experience your music.

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