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Galcon [ $1.99 ] creator Phil Hassey, who also released the poultry-themed Galcon parody Chickon [ Free ] on iOS this past November, has revealed his latest upcoming project which is titled Dynamite Jack. In it, you play as a Space Marine who has been captured in battle and enslaved by your enemies to work in a mine. Naturally, you don’t take kindly to this, so you set out to break free from the mine and defeat your captors.

Gameplay in Dynamite Jack is top-down and in “glorious 2D”, and totally looks like a mashup of elements from the classic Bomberman and Metal Gear series, perhaps with a dash of Syndicate thrown in there for good measure. Basically, it looks just about as awesome as you’d imagine that combination of games to be, as you can see for yourself in the game’s trailer.

Right now Dynamite Jack is shooting for a May launch on Mac and PC, but as Phil told me over Twitter, a port of the game to iPad following the desktop version launch is extremely likely, and he even makes special mention of it having iCade support. In another tweet, Phil says he built Dynamite Jack from the beginning with the iPad in mind, so the porting process should hopefully go pretty smoothly.

I’m really loving the look of Dynamite Jack based on the video, and I’ll be anxious to check it out when it hits the Mac and PC next month. As for the iOS port, it sounds like it will become a reality, and I’m sure we’ll have more information on that in the coming weeks.

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In January Namco Bandai released an excellent iOS version of their classic 3D fighter SoulCalibur [ $11.99 ]. A a fan of SoulCalibur on Dreamcast more than a decade ago, the faithful iOS port was a great way to re-experience the game. The virtual controls worked well, the graphics were crisp and high-res, and the finely-tuned mechanics withstood the test of time.

However, as good as iOS SoulCalibur was, it was strangely devoid of any kind of multiplayer, a key component for a fighting game. Over the weekend, Namco Bandai looked to rectify that omission by releasing a new update that adds Bluetooth multiplayer to SoulCalibur. The new versus mode works just as well as you’d expect it to, and squaring off against an opponent face-to-face is just as fun as it was back in the day. It really is crazy just how well SoulCalibur has aged after all these years, especially as a competitive game.

One important thing to note though is that multiplayer isn’t compatible with the iPod touch. SoulCalibur is a pretty technically demanding game anyway, and even upon release required at least an iPhone 4, iPad 2 or 4th generation iPod touch to run. It is likely the lower amount of RAM in that iPod touch device that is the reason multiplayer is a no-go.

If you’re a SoulCalibur fan in the iPhone or iPad camp then get to updating your game and go search out a worthy opponent. Believe it or not, SoulCalibur is actually on sale right now to celebrate the update, down from its normal price of $14.99, so if a lack of multiplayer caused you to pass on the game before now is not a bad time to finally pick it up.

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This week on The TouchArcade Show, we do another stellar job staying on topic — for the most part. At the top, we spend a good amount of time to the latest releases: Epic Astro Story, Puncho Fighto, and Burnout: Crash eat up a lot of our games section. Topics like the recent Kickstarter explosion and Magic: The Gathering on tablets round out the show. We also answer quite a few user e-mails, which we always appreciate.

If you’d like to listen this week, go ahead and do so via the handy links below. If you would rather get these things the easy way, feel free to subscribe to us on iTunes or, hey, even Zune. The subscription is free and automatic. It’s a win-win. Or something.

iTunes Link: The TouchArcade Show
Zune Marketplace: TouchArcade.com Podcasts
RSS Feed: The TouchArcade Show
Direct Link: TouchArcadeShow-047.mp3, 42.2MB

Here are your show notes:

GAMES

• Burnout Crash! [ $4.99 ]
• Puncho Fighto [ $0.99 ]
• Epic Astro Story [ $3.99 ]
• Blast Ball [ $1.99 ]
• Infinity Blade 2 [ $4.99 ]
• Kitten Sanctuary [$0.99 / Free ]

JARED’S KITTY KORNER

• LoveCat [ $1.99 ]

FRONT PAGE

• ‘Magic’ Coming To iPad
• 2XL’s ‘XLR8′ Isn’t a Game, But it Makes Driving Feel Like One

Also, this owns, thanks @mikemeade:

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It’s not easy to make a unique platformer. You either have to be trusty with your design skills and make a game look out of this world and startlingly unique, or you have to have some sort of wizard when it comes to your level design skills. Luckily, the people behind Gunman Clive [$1.99] have a little of both, and it makes for one of the best platformers I’ve played for years, on iOS or any other platformer.

Gunman Clive comes out of the gate shooting with an incredible look, which has a hand-drawn feel and makes you feel as if you are playing a game on the page of a tea-stained sketchbook. As Gunman Clive, you play the rough-and-tough Western hero on a mission to save the mayor’s daughter from wild bandits. Not that any of that matters, because as soon as you get an eyeful of this game you’ll drool a bit and forget any of the storyline in favor of sucking up the pretty graphics with your face.

Controls are pretty simple in Gunman Clive — a directional pad on your bottom left and a shoot and jump button set on your right. I wasn’t nuts about the floaty directional pad at first — it felt like my thumb was spending too much time in the middle of the screen — but eventually I adjusted. It’s handy to know you can jump into the menu and change the size of the d-pad or choose to make it static. For me, these small changes made the game much easier to play.

If you have ever played a classic platformer from the NES era, especially Mega Man, you will feel the echoes of them in this game. I giggled the first time I got a weapon drop too — it was a spread gun. If you people are trying to make me relive all those fine old days spent perfecting my Contra runs, it’s working.

You can also expect excellent level design here, which goes far beyond the basic jumps of most iOS games these days. Physics also come into play, but in a unique way that leaves most of those physics-based titles out there in the dust. And later in the game, you get to ride an actual rocket. Quite the contrast to the good old “Oh, an ice stage… a fire stage … a forest stage” boredom that so many of us are sick of. You won’t be bored with these levels as Gunman Clive keeps it fresh throughout.

One thing you might find, however, is that you may experience some frustration while playing Gunman Clive. That is because it actually is quite challenging. The level bosses in particular will take you some time to get used to. They have that bombastic feel that you don’t get often enough as well — I feel like I’ve played against too many end level bosses these days that don’t feel dynamic at all.

These bosses are hulking mammoths ten times your size, which I personally like. As far as challenge goes, though, I found myself wishing that the checkpoints would come a bit sooner after playing through several particularly difficult parts over and over. Or perhaps, an easy mode? Maybe I’m just out of shape from my NES days.

If you love platformers, you have to pick this beauty up. It really is a standout in all categories. The only possible turn off I can see is the difficulty, but maybe that’s just a fine excuse to bone up on your skills. Get that itchy trigger finger ready and come out of the gate with guns blazing, and you should do just fine.

TouchArcade Rating:

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It’s hard to look at On The Wind [$1.99] and not think, ‘Hey! That reminds me of Flower except without the third dimension’. Like thatgamecompany’s award-winning title, On The Wind will have you guiding plant-based material (you’ll be herding leaves as opposed to flower petals here) through a scenic landscape.

However, where Flower was intended to evoke positive emotions and to be your standard ‘challenging’ title, On The Wind will have demand a little more from your Infinity Blade-honed reflexes.

Because you are defined by the leaves you collect as you progress through the seasons, you must always ensure that there’s a steady supply within the immediate vicinity of your fingertip. Should you find yourself bereft of them, the game ends and you’ll be forced to restart.

The catch here is that leaves have a certain ‘lifespan’. After a certain amount of time, they will drift away from your reach, thereafter reducing your supply. As such, you’ll be constantly called upon to collect more leaves, something that can be accomplished by dragging your finger over a bountiful plant.

Sounds easy? Well, it is. Sort of. The controls aren’t exactly rocket science. To navigate through the artsy-looking terrain, you simply have to move your finger across the screen. If you lift your finger, the game will automatically pause. However, the problem with the controls is this: you can’t really see where you’re going.

Unless you’re graced with the tiniest of digits, chances are that you’ll find your view of your path obscured by your own flesh, something that lead to a disastrous finish and a return to the beginning of spring. It’s an annoying little quirk that some right-handed people have resolved by utilizing the left appendage but that also comes with some problems of its own.

Still, if you’re willing to overlook the fact that movement in the game can sometimes be genuinely frustrating, On The Wind is a pleasant way to wile away your time. Each time you flit through the trees, they respond with a smattering of musical notes. The music is largely tranquil and will provide a pleasant backdrop to your activities in the game. I’m on the fence in regards to the visuals. On one hand, I like the soft colors and the silhouette-style terrain. On the other hand, I can’t help but feel as though I’ve seen the art style somewhere else before.

That said, On The Wind is solid enough for a debut production and for those sick of the guns, girls and gore, it will also be a nice change of pace.

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It was nearly a year ago that developer Juicy Beast Studio announced an iOS port of their popular Flash game Burrito Bison, so where the heck is it already? The team seemed enthusiastic about the port when we spoke to them about it shortly after the announcement, and Ravenous Games was on board to facilitate the porting process.

Well, according to a November blog post from Juicy Beast revealing the sequel to Burrito Bison, the developer stated that they felt that this new game, called Burrito Bison Revenge, would be an even better fit for the iOS platform, and thus decided to focus efforts on porting it instead. Then yesterday, Juicy Beast tweeted this teaser.

So, does that mean the iOS game is close? Are we getting the original Burrito Bison, its superior sequel Burrito Bison Revenge, or perhaps both? Or maybe something entirely different? These are burning questions which I’m sure will be answered in due time, but after a year of relative silence, and since I really enjoyed Juicy Beast’s previous iOS port of Gobtron [$1.99], I’m really looking forward to Burrito Bison hitting the App Store in one form or another soon.

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I love word games, but they have a bit of a PR problem: the vast, vast majority are glorified takes on the word search with a new hook here and a novel mechanic there. And y’know, I don’t really mind—give me a reason to frantically form words and I’m usually happy. Letterbox [$1.99] is a pretty good reason. It’s a game in the word-search mold, bringing in 3D block stacking for its special touch.

Word hunting in 3D is entertaining on its own, but Letterbox goes a step further. Finding words is a means to an end—the real goal is to use those words with a variety of special blocks to tear your tower down. It becomes a game as much about destruction as it is about creating words.

Though ShockPanda is keen to call the game “Jenga meets Boggle” in its marketing material, the Jenga comparison is a bit loose. There is no fear of collapse, here, no tottering physics. Instead, you carve away at your cube with each word you make, letters disappearing and leaving gaps behind.

It’s easy to create precarious outcroppings of letters that become utterly useless. But with a little careful planning, you can carve away their supports and let them tumble down. In Jenga this would be a failure—here it’s a necessity. Once reunited with the bulk of your letters, those left over Ws and Ks that were so useless on their own become powerful tools.

The more awkward letters of the alphabet are marked as orange blocks rather than white, and each one is destructive in its own way. Sometimes they’ll clear a tunnel straight through your tower, other times they’ll clear all the blocks that surround them. That’s great, because your ultimate goal is to clear away 100 percent of the blocks on screen. It’s a high bar to reach, but it’s a lot of fun to try.

There are other special blocks to help you strategize. Some rotate whole rows or columns. Another merges nearby blocks into a single mega-block. I have a love/hate relationship with the one that drops down a new layer of letters. It slows down your climb toward 100 percent, but it may be the only thing to do if you can’t find a word in what you have. And, of course, wild card blocks are always a treat.

Letterbox comes complete with three game modes. In Clear Mode, every word you play drops more letters on the pile. In Panic Mode, they’re added every few seconds. Chill Mode gives you only the letters you start with. They’re minor iterations on the original concept, but they switch the game up just enough to keep it from getting stale too quickly.

Though the fundamentals are solid, Letterbox flubs some of the details. The camera is reined in too tightly, so you can’t always see the letters on top of the tower or deeper inside it well enough to tap them. The interface is uncomfortably reminiscent of SpellTower [$1.99] at times. The soundtrack borders on grating—it’s full of well-executed electropop by Yung Sir, but vocal tracks don’t mesh well with extended play sessions.

It’s fun to destroy your way though each tower of letters, compelling enough to keep an eye on Game Center to see if you can come up with the best word or the highest clear percentage. But ultimately Letterbox is one more play on traditional word game mechanics, and it isn’t quite cool enough to overcome the creeping sense of familiarity. If you’ve been looking for a new word game to pass the time, check it out and let us know what you think. If it would take something really special to convince you to drop one more word game onto the pile, this isn’t the game to get you there.

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Since he started making games for iOS, indie developer Jeff Minter of Llamasoft has really been cranking them out. The guy has been making games — and, rather unique games, I might add — for over 30 years, but I don’t believe he’s ever dished out one after another faster than he’s doing for Apple’s platform. And that’s really good news for iOS gamers because all of his iOS titles are rather well done and worth playing. His latest title, Five A Day [link], which just landed in the App Store, comes close on the heels of Gridrunner for iOS, his excellent remake of his original 1982 VIC-20 game and one of the best shooters on the platform.

When we first reported that Minter was developing for iOS, about two and a half years ago, we mentioned a Time Pilot-style game that he was working on, set to be his first iOS release. Well, time passed, Minotaur Rescue arrived, and we never saw anything else about that supposed first iOS release. That is to say, not until now.

Five A Day is a shooter (with bananas), but it’s equally an ethereal experience of sorts. It’s a kind of spacey, zen sort of thing. It’s a little hard to describe, so I’ll let the author.

…it should’ve just progressed into a good old banana-oriented shooter as originally intended but by accident it sort of went all New Age and ambient. While still actually retaining the characteristic of actually being any good, of course. It didn’t just turn into a useless ageing hippy of a game that lies around smoking weed and listening to Steve Hillage and burbling on about auras and crystals without ever doing anything useful. Redolent it may be of joss sticks and wind chimes but it’s still jolly good fun and will kick your arse quite handily on the higher levels, just you wait and see.

But what turned the game all auras and wind chimes? Apparently, it’s largely due to the in-game audio which, Minter indicates, lead the way in shaping the game during its development.

It started relatively slowly at first, with just fluffy clouds and the addition of a rainbow trail behind the spaceship. Then I needed some audio and headed out to a site called Freesound, where you can download snippets of stuff and use them in your projects. You can search by keyword so I put in “Space”, and that was it, game was doomed from that point on. All manner of floaty synth sustains, whale noises, chimes and gongs, page after page of them. Once I started putting one or two of them into the game, the game more or less began to shape itself. By the time I got to the first shower of bananas and enumeration of the first end of level bonus the audio was already heading firmly in the direction of “epic New Age”, and that’s how it ended up.

So, there it is. Every Minter game I can think of is rather “out there,” but this one is just a little moreso, perhaps (if you can imagine it).

We’ve got the vibe covered, now for the gameplay. Five A Day puts you in control of a craft soaring through the clouds, forever shooting. The sky is full of baddies that resemble familiar, pixellated villains of video games’ past. Some of these baddies are in possession of fruit. You want the fruit, and you need to destroy said baddies to collect it. There are also rainbow-bejumpered minotaurs floating about. Collecting either of these places them in tow and increases your shield power (which enemy fire drains) and, in the case of the latter, results in a Death Blossom-style weapons discharge that is bad for those around you.

As you progress, other elements come into play as well, such as bosses, sky-mines, homing missiles, and the like. A goal of the game is to finish each round with at least one piece of fruit in tow, as five such completions in a row result in a bonus life for your having been the healthy lad and getting your five-a-day (of fruits and veggies). And the whole thing is set not to a frantic, pumping audio beat-track, but to the whispers and tinkles of a holistic astral massage parlor. It’s an interesting — and fairly odd — scenario.

Your ship can be controlled via touch, by drawing circles anywhere on the screen in indication of how you want to maneuver, as well as via tilt-control. As with most iOS Llamasoft titles, the iCade control unit is also supported. Our gameplay video demonstrates iCade and touch controls. Being a universal app, Five A Day plays nice with both iPhone and iPad.

I’ve been having a lot of fun over the past few days with Five A Day, as I have with every one of Minter’s iOS releases. (The guy’s catalog is outstanding and should be investigated by everyone reading this.) That said, the overall feel and pacing of the game — a bit more relaxed than the typical shooter out there — combined with the ethereal audio stylings deliver an experience that might come across as a bit of an oddity to the typical gamer as compared to most of his other iOS releases, or certainly most other shooters out there. I would recommend Five A Day to any like-minded gamer, but it’s definitely a different sort of shooter experience.

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I am undoubtedly a cat person. Although I only own one, I have some close friends that own six, and going over to their house is always like a peek into some magical wonderland I wish I lived in. Suffice to say that any game featuring cats is bound to catch my eye, so when a colleague poked me and said, “There’s a new puzzler called Kitten Sanctuary [$1.99/Lite], and you need it!”, I figured I could be in for something good.

At a peek, it looked like a cute match three puzzler, but after spending some time with the game, you get to see that while the game is simple, it’s really got quite a bit more to it than your average match three game.

Rather than go with the bare bones approach that many iOS puzzlers seem to favor, developers Clockwork Pixels decided to go with a different type of experience, and I really like it. Of course, the heart of Kitten Sanctuary is still a match three. But imagine that cloaked in something like a Nintendogs lite, and you’ll start to get an idea of what to expect here.

In story mode, Kitten Sanctuary brings you to “Kitten Island,” where you must progress through a series of levels to rescue 50 kittens that have been kidnapped by aliens. In each level, you’ll play the match three game to accomplish this rescue. However, the items you match are actually resources, which you will amass on the left side of the board. The goal is to rescue each kitty by making matches over a set of red background tiles, clearing them in the process. Once you’ve cleared the entire pattern of red background tiles the level is cleared, and you can bring your furry friend back to the sanctuary.

You’ll visit your secret kitten hideaway at the end of each level, and when you do, you’ll meet the cat you just rescued and learn something about him or her. This is where the game really shows off its charm. With not only a description of each cat’s background but a funny likes and dislikes list, you really feel like you are building a little family.

The sanctuaries create some depth to the game, and can be a lot of fun to interact with. You can get toys to play with your cats to keep them happy, and you will often find as you complete puzzle levels that an event has happened in the sanctuary, like the cats have colds or need general cheering up. You can check their mood points at anytime by tapping each cat. If they seem down, you can play with them by buying toys from the shop to keep them stimulated.

This would have been an ideal place to throw in IAP, but the game opts to let you earn money in-game instead by matching coins during the puzzle levels. I don’t mind paying for some in-game items from time to time, but I certainly appreciated it here that I didn’t have to spend any real world money to keep my cat family happy.

In addition to toys, you can also earn enough money to add decor to the sanctuary if you have enough. Secret bonus gifts are also available for a higher price, should you want to do some saving.

As far as modes go, you can adjust Kitten Sanctuary to be as easy or as hard as you like. In Easy mode, there is no timer and matching multiple tiles will win you powerups in the puzzle levels. In Normal, you are timed, and in Tricky mode, you have more red tiles than usual to match, but a longer time limit. If you don’t find enough to challenge you there, you can also aim to earn all seven trophies, some of which are very challenging.

Kitten Sanctuary is a very sweet game, but beyond that it’s well-crafted, and the attention to detail shows. For $1.99, it’s simply packed with things to do and feels anything but bare bones, and there’s even a lite version to give you a taste of what you’re getting. It’s a breath of fresh air for a matching game, especially if you want something with a little more to it (but that is also fun to play). The only downside I can think of is if you don’t like cats. Luckily, there’s a dog version for PC, so you’re covered either way.

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